Olita 2000 -- Why Fight the Future?

The future: a world of grim post-industrial prisons where everyone's a suspect, and can be pulled in for questioning by the ubiquitous security cops.

What's more, the security cops strip female prisoners naked, then bring them to interrogation rooms where they hang them from manacles suspended from the ceiling while they put them to the question.

But there's some bright points here. Like, the manacles are Loosies, so big they look like those rings that gymnasts use to do flips in ("the rings" I think they call them). What's more, your interrogator looks like Lisa Comshaw -- because she IS Lisa Comshaw, a delectable redhead with a body that just won't quit.

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Furthermore, Comshaw's interrogation technique seems to consist entirely of kissing and fondling and rubbing against her prisoners. Pretty soon she's taking her clothes off and kissing and fondling and rubbing up against her prisoner some more. And once she gets hot enough from all the kissing, etc., she's more than willing to exchange places with her prisoner, sliding her hands into the manacles so SHE can get kissed and fondled and rubbed up against. And who would dare criticize her for that?

And when her prisoner chooses to run away instead of kissing, etc., her, Comshaw isn't even able to figure out that she can pull her hands out of the manacles as easily as she got them in there. Instead, she just hangs there looking frustrated which, let's face it, she undoubtedly is.

Fight the future? No way, dude!

Instead, we'll present the future portrayed by Olita 2000 with a much-deserved Loosie Award! Lisa should have known better than this -- she's been a Harmony heroine enough to know what good bondage is. I can only believe the director INSISTED that the integrity of the whole scene would be ruined by good bondage. After all, an interrogator who's dumb enough to switch places with her prisoner is hardly likely to be smart enough to tie her prisoner up properly.

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